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THE CONCEPT OF WOMAN AS FATAL HEROIN

In this case the meaning of femme fatale takes on a different hue refers to unusual women who fought against the power and society
exceptional women who managed to change the mentality of the time Joan of Arc






Joan of Arc (c. 1412 - May 30, 1431) [1], also known as the Maid of Orleans (or, in French, the Pucelle) was a French heroine and saint. His feast is celebrated on the anniversary of its death, as is tradition in the Catholic Church on 30 May.





born in Domremy, a small town located in the Department of the Vosges in Lorraine, France, between 1407 and 1412, and with 17 years headed the French royal army. King Charles VII convinced that expel the English from France and gave it authority over his army in the siege of Orleans, the battle of Patay and other clashes in 1429 and 1430. These campaigns revitalized the faction of Charles VII during the Hundred Years War and allowed the monarch's coronation. As a reward, King cleared the hometown of Joan of Domremy annual tax to the crown. This law remained in force until about one hundred years. He was later captured by the Burgundians and handed over to the British. The clerics condemned for heresy and Duke John of Bedford burned alive in Rouen.





image of a video game
Most of the facts about his life are based on the records of that process but, somehow, are deprived of credit because, according to several eyewitnesses to the trial were subjected to a multitude of corrections by Bishop Cauchon, as well as the introduction of false data. Among these witnesses was the official scribe, designated only by Cauchon, who says that sometimes had secretaries hidden behind the curtains of the room waiting for instructions to delete or add data to the minutes.


group dedicated heavy metal album in a song Blood of Kings


Twenty-five years after his conviction, King Charles VII to the Church instigated a review of that trial inquisitorial Pope Nicholas V ruling was inappropriate to reopen at that time, due to recent military successes against England and France possibility that the English take on those delicate moments, as an affront by Rome. However Juana's family also gathered the necessary evidence for the retrial and sent them to the Pope, but he definitely refused to reopen the process. On the death of Nicholas V was elected pope in English Calixto III (Alfonso de Borja) on April 8, 1456 and it is he who decided to reopen the process. The innocence of Domremy Jeanne was recognized that year in a process where there were numerous witnesses and declared heretical the judges who had condemned. Finally, in the twentieth century, was beatified in 1909 and later declared a saint in 1920 by Pope Benedict XV. That same year he was declared the patron saint of France. [2]



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immediately His fame spread after his death, was revered by the Catholic League in the sixteenth century and adopted as a cultural symbol of the French patriotic circles since the nineteenth century. It was also an inspiration to the allied forces during the First and Second World War. Popularly

, Joan of Arc is seen by many as a remarkable woman who is brave, strong and with great faith. Today is the object of special interest in the Republic of Ireland, Canada, United Kingdom and the United States. The Scouting movement is the patron saint of the guides (women's branch). Juana
Mysticism [edit] "I was thirteen when I heard a voice from God," said Joan at Rouen on Thursday February 22, 1431. That was about noon in the garden of his father. He added that the first time I heard felt a great sense of fear. When asked the judge, adding that this voice came from beside the church and was usually accompanied by great clarity that came from the same side as the voice.

The Catholic Church and the immensity of the faithful, recognized as real apparitions.

When asked how he thought it was that voice, she replied that it seemed a noble voice so that he thought was sent from God ("and I believe that this voice was sent from God ' .) So when he heard the third time he seemed to recognize an angel. And though sometimes not too well understood, first advised him to frequent the churches and then had to go to France and in this sense began to press. Furthermore, this voice heard two or three times a week. Not long after, revealed another of the key messages that sent him, that she would raise the siege of Orleans was under: "She told me that I would raise the siege of Orleans."


Joan of Arc getting the message of the Archangel Michael by Eugene Thirion (1876). On February 27, Juana identified these voices: it was the voice of St. Catherine of Alexandria and St. Margaret of Antioch, the most venerated saints of time if we stick to the earlier iconography Joan. [5] Catherine, is sometimes defined as an apocryphal figure straddling the centuries III and IV who died at an age similar to that of Juana, also learned (patron many specialties intellectuals) and having persuaded the Emperor Maximilian II to stop persecuting Christians. Later would be condemned to die on the wheel (a system of torture that bone fracture), although she is said to touch the wheel broke and eventually ended up beheaded. On the other hand, the legend of Margaret says she was a girl scorned by her Catholic faith to which marriage offered in exchange for giving up the faith. Given his refusal, she was tortured so miraculously escaped several times, until his final death. Thus, in addition to die a virgin was a martyr.

Juana, said that he recognized because they themselves had been identified, which had already held in Poitiers when questioned on the court of the Dolphin visions. He declined to give further explanations, placing judges to go to Poitiers if they wanted more details.

on the year that happened, first had said that was when I was thirteen and then explained that seven years ago she was advised that these voices and protected, so, subtracting seven years to the day of interrogation, we find that 1424 he first appeared have visions.




Juana, explain then, before mentioning the name of the holy, the mission that the voice instructed. But after mentioning them, the judges asked who was then the first voices I had heard that he had caused so much fear seven years ago. She, that everything was going to respond, did so with many reservations and resisting dropper several times, said it was San Miguel (San Miguel, protector of the kingdom of France), who saw with his own eyes and not alone, but together angels in heaven. So, by God's command went to liberate France.





Manuela Manuela Malasaña MALASAÑA
Oñoro (Madrid, March 10, 1791 - Madrid, May 2, 1808) was one of the victims of the uprising of May 2, 1808 suppressed by the Napoleonic troops stationed in the English capital, whose memory is honored as one of the popular heroines of that day and the subsequent English War of Independence.

French baker was the daughter of Jean Malesange, Hispanicized "Malasaña", and his wife Marcela Oñoro. Embroidery profession, lived in St Andrew Street No 18.

The circumstances of his death are discussed. According to one version of events, the image of other young people joined the defense Monteleón Artillery Park, located in the Plaza later dubbed the May 2, officials led by Pedro Luis Velarde Daoíz and facilitating the supply of gunpowder and ammunition. [1] According to other versions, Malasaña would have stayed in his studio away from the fight, but when crossed with a patrol of soldiers, they would abuse intende while it registered, and the defense, would have exposed the scissors to his or her profession at that time carried. Then accused of hiding a "weapon", was executed and his body registered under number 74 in the ratio of 409 victims who were kept in military archives and city of Madrid, studied in 1908.

was buried in the Hospital of the Good That in the street which had been founded Silva in 1594 and housed the poor. In this place were attended many of the wounded on this day of May 2 and were buried many of the fallen.

His portrait is in the Hall of Heroines of the Army Museum. Manuela

should be famous in her neighborhood for her youth and charm, and the fact he died so young and giving your life to the cause of freedom led to the creation of his memory about a great legend of heroin. Madrid dedicated to his memory a neighborhood: the Malasaña. Móstoles spent time after a street and a metro station on Line 12.




Agustina de Aragón





During the siege of Zaragoza, Agustina carried out the heroic action that made it famous. After falling wounded or killed all the defenders of the gate called the Portillo, the French troops were ready to take the assault. The situation was desperate and then Agustina, who was part of a group of women who attended to the many wounded, managed to shoot a cannon over the French troops were running down the entry apparently helpless. The assailants French, fearing an ambush, retreated and new supporters came to plug the gap, defending the city once more.





Agustina de Aragón died in Ceuta, on May 20, 1856, 71 years old. Until 1870 his remains were moved to Zaragoza, resting first on the pillar and, since June 14, 1908, in the chapel of the Annunciation of the Church of Our Lady of Portillo, which are revered as a great heroine with courage and determination overcame adversity and fought off the enemy. It is regarded as one of the most representative symbols of the English resistance against the Napoleonic invaders.


V FOR VENDETTA


After the third world war, England is taken by the ultra-right fascist Norsefire and sink into a totalitarian regime that controls the population through the usual methods (police, propaganda, etc.) and other technology (cameras, microphones, etc). However, a subversive terrorist who calls himself V and hides disguised as Guy Fawkes, not intend to allow this regime will last much longer. At the beginning of his campaign, V is the young Evey Hammond, who becomes his most loyal ally against Norsefire.

The main theme of the story is the convulsive struggle between anarchy and fascism as the only forms of political life front.

The comic is divided into three books and an interlude:
Evey Hammond is a fictional character in V for Vendetta graphic novel created by Alan Moore and David Lloyd, who is involved in the life of V when it is rescued by him a group of undercover cops in London.


Sources [edit] Evey grew at Shooters Hill in southeast London. Girl was orphaned when his parents die, his mother died during a nuclear war in the early 80's and his father was arrested and executed by the dictatorial regime of Norsefire that took power after the war, because of their socialist political leanings. Sent to a juvenile institution, was forced packaging work matches in boxes for export and then began working in a munitions factory.

Steeped in poverty, Evey to become a prostitute. The first client that appeared was one of the "bookmarks", a member of the secret police Norsefire. A point of rape, was saved by a mysterious man who used a Guy Fawkes mask and calling himself a black layer "V". V allows Evey to witness his attempt to Parliament and Big Ben.

The masked man takes the girl to his secret underground hiding place which he calls "The Shadow Gallery" and blindfold him so you can recognize him by the path which reaches the place. V Evey trusts, telling them about the death of their parents and it comforts him, an act that leads to abducted to depend on him for their safety. When Evey is offered to pay the debt with V, that the little girl disguises to serve as bait in complicity to the murder of one of the former members of Norsefire, an archbishop pedophile. This will produce a feeling of guilt for taking part of it and realizes that V is more sinister than suspected.


Evey film version was played by Natalie Portman in the film adaptation of 2006. In the movie, Evey is not a prostitute but still captured by the "bookmarks" during a state of siege in the city. His first appearances do not indicate the innocence of the 16 years of comics but the character of a young largest, independent and free thinking.



TB
SPANISH IS A GROUP OF ROCK AND ROLL CALL THAT GOT A SONG IS CALLED
VENDETTA GUITAR MAFIA AND THEIR SONGS APPEAR IN ALL TYPES OF WOMEN FATALE REFLECTED THROUGH HIS ROCK AND ROLL TATTOOED as they call it
Their concerts are based on a constant waste of energy, attitude and spectacle. In reference to this staging is one of the bands most scenic clear development in both image and music paraphernalia, balanced course all in perspective

SONGS AS KATE MOSS, Vendetta, Devil Girl O MY CHAINSAW
MEGASPLAHS OF THEM AND IF YOU ARE MALE OR REFLECTION WILL BE GOOD MEN
FATAL ROCK AND ROLL DIRECT
TIMPANO

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the contemporary art femme fatale

Tuesday June 5, 2007
Marina Abramovic (Belgrade, 1946)
"I'm interested in art that disturbs and break the moment of danger, which is why the public should be looking here and now. Let the danger you focus, this is the idea that you focus on the now. "

Daughter

guerrillas
Yugoslavian artist Marina Abramovic is a long journey that has become one of the most senior and powerful performers of contemporary art scene based on his own body and his own mind, as well as the relationship with the viewers that sometimes becomes necessary actors for the success of the performance.


His work has evolved over time, from some early work in which he sought primarily to rebel against an education that was like a millstone that prevented him develop as a person, immersed in the sad atmosphere cultural Tito's Yugoslavia, up to proposals that explore the spiritual aspect of sex as it does in the series Balkan Erotic Epic (Balkan Erotic Epic).

What has not lost along the way is always looking for the symbiosis between art and life, bringing their own life experiences with the world of creation, entering fully into the world of body art (body art or body) to reach the extreme limits, both from the standpoint of psychic and mental, extending even to put their lives at risk.

Despite what might seem at first glance, the work avoids the sensationalism Marina, is a work of a strong background philosophy where fear, isolation or loneliness, a seemingly (but only apparently) contradictory to the necessary presence of the public, it becomes an active part with which the artist talks and forces to face the same feelings Marina experienced in many of his works.




Some critics have defined Abramovic's performances as "a true ray of intense sensitivity and emotional search for a deep spirituality that would give the vital balance and a state of higher consciousness. "




inward dive in a nonjudgmental or complex, Marina Abramovic is the basic material which then merged with multicultural references result of his contacts with the Tibetan culture, with African tribes or their stay in the deserts of Sahara or Gobi.

Fundamental in the development of his work was both personal and artistic relationship with the German artist Ulay, which runs between 1975 and 1988, a relationship that will end with a performance titled Lovers (Lovers), which was the ending the relationship between them. To that end traveled 2,000 km along the Great Wall of China in 90 days to arrive, starting each from a different end to China's population of Er Lang Shan a June 27, 1988. To meet and immediately walked back to separate and forever. "The staging of a geometry of love made the painful separation from their individual biographies seem the inevitable result of the laws of life," writes Petra Löffler.


One of his most recent Balkan Erotic Epic is a series that includes different works recorded on video or photographic medium, which inquires about the relationship between sex and death. To this end investigated around the ancient pagan rituals, which still survive in the Christian Serbia, and are used to "promote the fertility of the land, for rain, for healing ... The sexual energy was transformed to the contact with the invisible energies. "As she explained in an interview in the newspaper El Pais.






His works have a lot of ritual, transcendence beyond the fear of physical pain, to achieve mental and physical state that allows you to enter a dimension in which these constraints and cast no shadow over his mind and on his life. Life.

Videos of his performances can be found on Youtube. No suitable for all audiences.







MARINA JIMENEZ JOSE Nunez Taken WORLD OF SECTION DEDICATED TO ARTISTS OF THE CENTURY

Who am I? The question, persistent, insidious, slipping as one of the questions more intense in the areas of uncertainty in our culture. Who am I? I wonder. We wonder, after the end of the age of certainty, in which the white European male sees himself as the pinnacle of civilization
intelligence and commitment, instead of superficiality and cynicism. Without attempting to resume the proposal of a global transformation of society through art, characteristic of classical art, Marina Núñez is situated in a line of "transformation of the symbolic" control "in the field of representation." That may, he says, "not a political transformation in itself, but clearly is involved in political change."

Since around 1992 began to enter the symbolic and imaginary land of exclusion, Marina Núñez
has generated a powerful language of a plastic, one of the most personal and characteristic in
our current art, which resonate doubt and irony, are we sure that exclude and why do we exclude? Dense images, unfolded, in its flow has been articulating in series: Madness, death, monsters, jellyfish or the last, science-fiction.





The female figure occupies a central place in the map of exclusion, a way to highlight the image that traditionally relegated to the place assigned in the history of our culture. But what matters is the unfolding. Returning from the crazy drama of hysteria floating double in a mirror without a frame or profile. Hanging objects on figures, skulls stacked in heads, incisions in the flesh, one body into another. The face stares at us from the bottom of cyborg brain. HERE CAN ENGAGE WITH THE ABOVE PARAGRAPH





Marina Núñez shows us what we do not normally see, but as yet we truly are configured. Because obviously, the projection of the other springs denied ourselves. The monster grows upon our minds, Frankenstein is our child. Something the Romantic movement was in one of its central themes: no me without his double.




The most interesting is the turn poetic, personal tone. Despite their disabilities, the figures excluded and excluded from Marina have always clarity, a purity of line, a haunting yet serene beauty perhaps, never troubled or torn. It is, in fact, to show how the exclusion is based mainly on ignorance. But the repressed desire.






Mona Hatoum Mona Hatoum was born in 1952 in Beirut to Palestinian parents, but grew up in London for these things to chance: while on holiday on the island, civil war broke out in the Hatoum Lebanon and was forced to stay there for long undetermined. Never returned home. The distance and the idea of \u200b\u200bbeing in the way his work changed forever. Then centrifuged Hatoum experience of displacement and exile for more than a feeling of vulnerability to the power structures to create a work that oscillates between desire and repulsion, fear and fascination.

"I grew up surrounded by war and my identity was formed by fragments, I was collecting pebbles here and there," says Hatoum. One of these fragments is about the destruction of the idea of \u200b\u200bhome as a safe, peaceful and stable. The things a minute before we were familiar, in turn Hatoum threatening. Sous tension, a wooden kitchenware exhibits several connected by a tangled web of wires that light up. In turn, the facility is separated from spectators by an electric fence. In the solitude of the room can hear the hum of electricity flowing through the environment. It's a fairy tale image, spoons, pots and pans seem fireflies in a garden at night while, if we could touch them, we would give a fatal shock. It is a work that makes the home, a prison kitchen, the core of family happiness, a hell of neurosis. "And yet," says Hatoum, "art should not preach. I try to do objects ambiguous and open enough for today and tomorrow are it otherwise. "

Hatoum instability destroys everything we took for granted: a dripping like melted chocolate crutches, a map of Jerusalem appears perfectly drawn on the floor the room, but when you step on the parquet, design apart, decomposing into a thousand balls that run along the floor back to the territory, not only chaotic but also dangerously slippery, in a room, a light bulb sways from the ceiling slowly, causing shadows to paralyze us dizzy. As she explains: "A work of art first feels physically, associations, ideas and concepts come after the initial shock. "
But probably been the literary critic and advocate for the Palestinian cause, Edward Said, who best defined the work of the artist: Mona Hatoum sees the world as a foreign land. The exile knows that in a secular and contingent world, homes are always provisional. The boundaries and barriers that enclose us in the security of a territory that is familiar, may in the twinkling of an eye, become our worst nightmare. Hatoum lucidly in the idea of \u200b\u200bhome as a mythical paradise has been literally wiped off the map ".




Although Palestinian born in Beirut, to which their parents had to emigrate in 1948 leaving Haifa and that then she can not return when traveling in London, broke out in 1975 the Lebanese civil war. After the first few years in the Byam Shaw School of Art, goes to the Slade School of Art, also in London, where he studied with Stuart Brisley, one of his earliest influences, the early 80's when it starts to make performances and video .

After a first period of formal experimentation in establishing what would become a lasting relationship with Minimalism, its passage through the politicized Slade taking it to higher ground where the primary conceptual concern about the functioning of the structures power.

is in this context that performs most of his performances often charged a dense political content. In a second time, but also in this first stage in which their work is marked by temporary action takes place the development of videos, among which we find such significant works as Measures of Distance (1988), which deals as the representation of female stereotypes or mother-child relationships within, yes, a frame marked by a sense of loss and disorientation that exile brings communication and travel.

His work in the 90's has evolved into less narrative works that can, therefore, a higher level associations. Through the sculptures and installations, Hatoum has created works that seem to refer to Minimalism, though only from a purely formal and material usage. In them there is a continuous negotiation with the body of the viewer, both physically and emotionally involved in a space that, paradoxically, the human body is absent and that he / she in her presence is designed to replace. His installations take us back, often, a fantasy space in which, as in Corps étranger (1994), we face the metaphorical power of the body in general through concepts like public and private female body image.

In recent years, the symbolic ambivalence that gives everyday objects has been gaining more and more weight in their installations. Everything that was familiar in theory and welcoming us, metamorphoses into something remote and often shocking. The "home" in Hatoum's works can no longer provide that feeling of calm and refuge to associate it before. The changes made by the artist constantly break those expectations. Now we only have an unsettling space in which to think a new definition of "home."



CHRISTINE BORLAND

Christine Borland. Of this, originally from Glasgow, I appreciated the links that seeks to integrate art and medical science. Link being made from an ethical position, showing the impact of medical phenomena. This means entering in the way of understanding the human body as social protest or human representation. The work that surprised me is called a true story-After an Giant Fairy Tales (1997). In this, as seen in the figure shows the silhouette, made in dust, the skeleton of a giant. On this figure is projected to draw the shade light on the wall skeleton. The approach of the work is made more interesting by the fact that along with the silhouette of the giant shows the page in an anatomy book which tells the story of the giant who bears the skeleton elucidated. The presentation of history is not intended purely medical, which surprise us, it is highlighting what extrambótico medical case and the fact that the giant, nicknamed "The Irish Giant", was a spectacle of a traveling carnival.

The incluisión of this story in the work of art gives us to understand two things. First, the conceptual artist is: what in his work stands out is the idea and the story beyond the actual performance of the work. The work is tenuous: a silhouette in dust and shadow, but is loaded with meaning. This being the second element to understand, in my opinion. The play is set as a reflection that links medical causistica the show. The grotesque size of the individual, Charles Byrne, because of a disease, gigantism, becomes a playful representation for the viewer. Borland's work does the same but showing the face of history. The shadow cast by the silhouette of dust is the same that once project the figure is also an entertainment giant, but this time, comments from his own personal history, something that once would not find the audience. The history of the individual is charged drama, highlighted his alcoholism, which shows the personal side, beyond the mere figure of 2 meters 49 centimeters. The velocity of
Dreps (2004). This is also a photograph. It contrasts the red color of a watermelon burst with greenish brown soil. The contrast is strong, giving power to the picture. Is this the intention of the author which is appreciated even more if we look at their explanation. Watermelon is used in forensics because openen the same resistance to the fall that the human skull. So we turn to simple watermelon scene perhaps a murder, suicide or accident. The work is even more tense since its meaning. Christine Borland's art embraces scientific thought and research to explore the fragile yet resilient nature of human life .. The methods and materials Christine Borland choose for your art (such as spider dragline filaments, bone china, bronze and glass) in contrast to the seriousness of the issues addressed: genetics, individual identity, medical ethics and mortality . Christine Borland immersion in the field of science allows us to see the controversial issues and significant developments in the singular and unexpectedly at the core of Borland's practice is a strong curiosity about the underlying assumptions that guide research remain unexplored scientific .. During the last decade has worked with osteologists to analyze the bones, facial reconstruction experts to reconstruct faces on skulls, geneticists to study the biochemical prenatal testing and to explore the cellular structure.

"The heart of what I'm trying to discuss is very dark, very strong and passionate, and if it can get rather than through a rational process, I think that becomes more powerful, and, above all, more staff the viewer. "



Naiza H KHAN


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Naiza H. Khan, Pakistani artist within a month had his first solo exhibition in Europe, The Skin She Wears. Project that began a decade ago as a strategy for exploration of the emotional content of the female anatomy through their attire: some anachronisms, such as chastity belts, others, such as the corset, not so much, always a cliché, lingerie, appropriations gender, medieval armor of Joan of Arc; designs asexual straitjackets ...





the past two years many of his drawings the skirts have metallic-weave, body and clothes at the same time. Symbols for Naiza, seduction and oppression. Garments occupy an ambiguous space between love and war. According to the artist, this work is an armed response, but discreet, the aggressiveness with which many compatriots defending clothing associated with religious beliefs. Does the habit of a nun? No, the hijad. In fact, his recent installation in ArtDubai 2008, The Crossing, caused a stir. With this work (a wooden boat, galvanized armor, textiles and leather), Naiza implied like in your country, somehow, still lives in the Middle Ages. Now what makes this exhibition, a small army of 15 steel (steel sculptures, drawings and acrylics). The pieces, available in editions of three, ranging between 1,000 and 10,000 pounds (let me know what the change), but you will always have the catalog. The expo is in London at the Rossi & Rossi.






Thursday June 21, 2007
Born in 1982, from San Francisco and graduated with distinction from the University of Art in the same city, Sylvia Ji's artistic ability seems to belong another time. Her work encapsulates an alluring beauty that competes with their technique.
Some of her paintings are symbolic reflections of themselves same, portraits of people who know or anonymous faces, no name, set in landscapes of ephemeral beauty, sexual provocation where it is mixed with dismay.





Taken from the following website
http://paraisohibrido.wordpress.com/2007/11/06/silvia-ji/
Beautiful and provocative, so are the works of Sylvia Ji.

Asian Girl, born in San Francisco ... decadent helping of your media environment as inspiration, saying everything he sees through a brush and paint ... and the reality shaping molds to your imagnacion.

A mixture of cultures, taking into account the Mexicana, with social issues eroticism fused with a provocative.



QUEEN STREET (INFO Taken OF ONE OF OUR WEB)



is disclosed in streetQueen'sy deviantArt as firm as uu. She is a photographer from Turkey and I was fascinated by his work. His images are a curious mix of photography surreal style home. Blur and overlap, and a whole host of effects leaves us feeling watching old family album pictures of some forgotten in an old trunk.




However, they have a potential tremendous and very original that grabs you at first glance. It's the kind of photography I like to do, that exudes feelings, that is effective without cause, and causes a myriad of sensations in both form and content. She works mostly in black and white, which starts real flashes of brilliance, but also in color us pleasantly surprised, away from topics of free effects. It has an almost baroque structure with a certain air of decadence, but there is great humanity in these images. Photography is the homespun, everyday life an art. A great example of what can give of an eye behind a camera. Also found in Flickr as umayumay phostream





SILVIA JI
Born in 1982, from San Francisco and graduated with distinction from the University of Art in the same city, Sylvia Ji's artistic ability seems to belong to another time. Her work encapsulates an alluring beauty that competes with their technique.




Some of her paintings are symbolic reflections of herself, portraits of people known or anonymous faces, no name, set in landscapes of ephemeral beauty, sexual provocation where it is mixed with dismay .



Quickpost this image to Myspace, Digg, Facebook, and Others!



Taken from the following website
http://paraisohibrido.wordpress.com/2007/11/06/silvia-ji/
Bello and provocative, so are the works of Sylvia Ji.
what he sees through a brush and paint ... and the reality shaping molds to your imagination.

A mixture of cultures, taking into account the Mexicana, with social themes fused with provocative eroticism.