queer proposal questionnaire on the existence of such categories as man, woman
, heterosexual, homosexual, bisexual, and lesbian, among others. Under this approach, all are constructions
sociales.En queer theories questioning absolutely everything and assumes nothing, not even himself
mismasNo assumes a single truth and as we ncionado me, the
basic assumption shared by these theories is that identity is something that always
moves and not static. That is, it makes no sense to say for example, he or she is heterosexual or bisexual
, because our identity is a continuous
today is possibly one way and tomorrow is different.
queer proposals have been developed in two main areas, the field theoretical
- where talk of queer theory because not only are several - and the field
activist groups like ACT UP and Queer Nation are organizations
to fight for the rights of people whose sexuality does not meet the standard,
fight for diversity and the rights of HIV positive people, among other things.
theoretical level is important to note that this approach has been enriched by the work of Michael Foucault
, Monique Wittig, Judith Butler and Eve Sedgwick, among other
In this connection , Hernandez (2004) notes that "at the militant, queer is
be open to diversity, not to expect regulatory behaviors, not to define the genre
a person based on their genitals, to question hierarchies
how we face the world, to make visible other realities. "During the nineties, various feminist and lesbian writers like Judith Butler
or Sue-Ellen Case, proposed a definition of gender in terms of performance in
reaction to the affirmation of essentialist feminism
truth or pre-discursive nature of sexual difference as to the taxation rules of
certain forms of masculinity and femininity. Later, Butler and Eve's own K.
Sedgwick, gender identity characterized as the result of the "repetition of performative invocations
heterosexual law." This dual crisis intervention
that could be characterized as "performative turn" has led to new interpretations
representations of gender and sexuality, both in the aesthetic space as
político.la artistic and theatrical notion of "performance" becomes
used nineties by the "queer theory" to denature the difference sexual.Queer literally means queer, dyke, but by extension means everything sexually
is not normative (from l @ s @ s worker to
sadomasochistic sex). The queer movement appeared in the early 90's in the heart of the gay and lesbian community
U.S.
gender performances in the radical feminism of the 70
Drawing upon the work of Teresa de Lauretis, Judith Butler or Eve K. Sedgwick, is
say, the notion of performance adopted by queer theory questions the origin
biological sexual difference.
queer theories challenge the idea of \u200b\u200ba female political subject (and a political subject
homosexual) to put the accent on the idea of \u200b\u200bperformative subjectivity.
after this introduction let's talk about a great film reference that combines theory and queer that of the femme fatale
The Rocky horror show, directed by Jim Sharman in 1975 on the musical The Rocky Horror Show by Richard O'Brien, is a cult film about a couple who, following the failure of his car, forced to spend the night in the mansion of Dr. Frank N 'Furter mad scientist smart, gifted and transvestite Transylvanian convention held in connection with the creation of his creation, Rocky Horror, a perfect man whose "average" brain belongs to a juvenile delinquent. The film soon became an object of worship and go down in history still being shown in cinemas where real parties are mounted around the film.
Starring:
Tim Curry: Dr. Frank N. Furter (Un científico)
Susan Sarandon: Janet Weiss (Una heroína)
Barry Bostwick: Brad Majors (Un héroe)
Richard O'Brien: Riff Raff (Un chico para todo)
Patricia Quinn: Magenta (Una criada)
Little Nell: Columbia (Una groupie)
Jonathan Adams: Dr. Everett v. Scott (Un científico rival)
Peter Hinwood: Rocky Horror (Una creación)
Meat Loaf: Eddie (ex chico de reparto)
Charles Gray: El criminólogo (Un experto)
Todavía hoy en los cines en los que se proyecta se puede oír al público corear sus temas, sobre todo el famoso Science Fiction Double Feature (Sesión doble Science Fiction.)
The film itself is a musical that honor (and at the same time satirizes) the science-fiction films, including productions in black and white RKO.
PERFORMANCE ON WOMEN COULD RELY TB FATALE IN THE IDEA OF THIS MOVIE PROJECT THAT IS DIFFERENT IMAGES ON THE TOPIC AND INCITE THE PUBLIC TO PARTICIPATE
takes years projects with an interactive show, which unites film, public and actors who appear on the screen.
public
qeu type you can find in these projections "players of the seventies transvestites, psychotic nurses, full of vampires Brides blood and decaying. All disguised in a wig and horroritas rare. "This is the name of the movie fans have been screaming themselves mismos.Los" asshole and a bitch ", every time Brad and Janet (a very young Susan Sarandon) does not cease throughout the film.
If you let your hair down, screaming like hysterical stewardess dress up, makeup and Kiss, to be another or be you and see others doing it:
The Rocky Horror Show is the place
Dr. Frank: is a pseudo science, but a genuine transvestite from the planet Transsexual in the galaxy located Transylvania (?). He made a Rocky to sleep with him, but not given time. But if you run out of time to lie to Janet, Brad and Columbia., A combination of Paul Stanley of Kiss, and Freddie Mercury of Queen)
is a strange butler Riff able to wear high heels and mopping the same time. Only someone of Transylvania is capable of that. It would be a perfect bargain for any woman if not for your lifestyle little peculiar. Among other things, usually having sex with his sister Magenta.
Magenta: the incestuous sister of Riff Raff, basically has the role of the maid.
Columbia with a high voice, is the tap dance specialist. Intended to have an affair with Frank and is at the forefront in terms of color hair.
Rocky: so we can consider as an alien, though born on earth, in the laboratory of Dr Frank. He lived 7 hours, but give him time to explore the many facets of sex on our planet. What more do you want one!
Brad: the boyfriend, he never imagined when poncho tire of his car, I'd end up in bed and transvestite alien scientist (Dr. Frank). Obviously, the experience left him a little out of touch.
Janet (aka bitch) Brad's innocent girlfriend who lost her innocence quite easily and even with her boyfriend (hence the nickname) but with Rocky and Frank the same night (separately of course). AS YOU CAN SEE
Here are some examples of the femme fatale
TWO OF IT IN THE FRANK QUEER THEORY AND THEN THIS RIFF
COLUMBIA AND JANET FINALLY its transformation into FATALE WOMEN IN THAT NIGHT
Dr Scott: the old professor Brad and Janet, also an undercover investigator to investigate the infiltration of aliens among us. It is the only one who does not sleep with anyone during the movie.
Eddy, nephew of Dr Scott had bad influence on his youth and ended up with half his brain stolen, was frozen shortly after he finished off with an ax All that for drugs, sex and rock'roll Go life! Fanatic
RHPS. It has no modal. Customary to throw rice in the theaters, yelling obscenities at the actors, sometimes wears a very rare and it usually take for linking to the person sitting next to him, whoever he is. Endorsed the statement: Do not dream it be about it. BACKGROUND
all began in 1973 when The Rocky Horror Show, a musical fantasy written by Richard O'Brian, premiered at the Royal Court Theatre in London, England. The work that students are two strawberries dipped in a decadent world (with a mixture of rock'n roll, sex and science fiction) was a resounding success. To reach the United States, was assembled at the then legendary Roxy Theater in Los Angeles, where a Fox executive enthusiastically decided to make a movie making in the Rocky Horror Picture Show (RHPS for the uninitiated).
Despite the great success that it had the play on stage, film, which premiered in 1975, proved a box office flop. However, years later in a room in New York in the role of midnight, people began to come dressed as characters from the movie, including some of the attendees knew by heart the dialogues. The film had become the meeting place of the creatures of the night at that time. One night during the rain scene when Janet pulls out a newspaper to cover her from the rain, someone in the audience shouted: "Stupid, because they better buy an umbrella." So legends are born ...
Who's Who?
Gradually, people began to inhibitions and interact in front of the screen while passing the film: A myth was born. In the big cities of the world grew a myth that spread underground to make the RHPS in a cult classic.
More than a decade after its premiere, the role of RHPS midnight is still a unique experience. The show, currently in Paris, London, Sydney, Tokyo, Munich and a number of U.S. cities.
The acting cast is always made up of fans, fans who perpetuate the myth. Public is extroverted people who dreams of becoming a night in a strange being, characterized by being willing to make their costumes themselves. Conventions are held annually which meet all the fans of RHPS. There are hundreds of websites, chat channels and everything related to the movie has become the object of collectors.
INFLUENCE OF QUEER THEORY IN THE FIELD OF ART
VPvolémico, provocative and for some critics banal, Andy Warhol has gone down in history as one of the most influential artists of the twentieth century. Warhol portraits in which his role as transvestite shows, performed by Christopher Makos and Paul Solberg partner, which is responsible for the floral part of the photo.
Makos, Warhol's portrait of a personal friend, is also the photographer who immortalized the Madrid scene better. The camera lens captured some of its most prominent players, such as singers Miguel Bosé and Alaska and the director Pedro Almodóvar.
FILM
Homosexuality in the movies have been portrayed in ways very different depending on the time, country, or the director's personal vision. It has been reflected in comedies, experimental cinema, horror, historical, police, social criticism, biographical or a B [1]
Throughout the history of cinema has been a considerable evolution in the way of approaching this subject, from the negative view has been reflected in much of the twentieth century, well portraying homosexuals with scorn - often falling into the stereotypical mannerisms - or as ruthless murderers or disturbed suicidal to many current films directed almost exclusively to LGBT audiences and have many festivals of this issue in worldwide. Much of these recent movies show how difficult it is to "come out" and projected to the viewer the reality that homosexuals are. However, this change had already occurred in European cinema before.
can differentiate between the LGBT-themed film whose theme revolves around gay characters and their relationships with the rest, and films in which a character is LGBT and has a minor role or that their sexuality is not influence the plot of the movie. Large number of these films have focused on male homosexuality and bisexuality, while the female and transgendered have been addressed less frequently. [2]
Classic Movies: From the 30 to 60 [edit] In the silent film had appeared the figure of the sissy (ladybug in English) in Hollywood movies, but it was after the arrival of the sound when you enjoyed the most popularity. Although never made mention of sexual or emotional preferences of these characters, the audience could easily identify as gay to reflect the existing stereotypes in society towards them. These were to portray them as characters extremely mannered, prudish, with thin mustache and often grotesque makeup. The Sissys fun for spectators, as compared with them, men could feel more masculine and women more feminine. Some of the films which included among its characters were Sissys The Broadway Melody (1929), Our Betters (1932), [4] The Gay Divorcee (1934) or Myrt and Marge (1934) [5] [6]
Greta Garbo, icon lésbico.Durante this period was a paradox when comparing generated reaction characterized men's clothes and attitudes considered feminine and women assumed a male role. While the former were the subject of jokes and comic situations, the latter were considered attractive by both men and women. This reaction is apparent in the film, Morocco (Josef von Sternberg, 1930), where Marlene Dietrich dressed in a tuxedo man in a nightclub and is applauded by all those present when he gives a kiss on the mouth to another woman. [6] Another film with hints of lesbianism was Queen Christina of Sweden (1933), where even though the story was changed to not make direct reference to the homosexuality of the king, showed the close friendship that bound him to one of his servants. Its lead actress, Greta Garbo, near the above Marlene Dietrich became the quintessential lesbian two icons of film history.
In the 30's, the Catholic Church and some Protestant denominations, through the Legion for Decency and the League of promote women threatened with boycotts for the content of some films that they considered indecent and some examples for society. To curb these pressures, the Hollywood industry gave its approval to the Hays Code devised by Bill Hays, whose aim was to censor all issues considered indecent. Among them were nudes, too ardent kisses, abortion, prostitution or sexual perversions, among which are included as such homosexuality.
For nearly three decades, censorship was authorized to change all the dialogue, scenes, characters and plots that do not match up with the principles of the code: Just in The Lost Weekend (1945) [7] doubts that its hero is about sexuality that are present in the novel on which it is based, are muted in the film. Crossroads of hatred (1947) [8] based on a book about a gay murder, became a film about killing Jews.
The new censorship forbade any explicit reference to homosexuality, but failed to eliminate them altogether. Although the major difference with the previous period was that homosexuals were no longer a comic element to assume the role of villains, more in line with the concept of homosexuality that the Hays Code wanted to convey to society. Movies like Dracula's daughter (James Whale, 1933), Rebecca (Alfred Hitchcock, 1940) or later, no remission (John Cromwell, 1950) showed lesbians able to pursue their goals without any scruple, while Young Man with a Horn (1950) Lauren Bacall starred as a bisexual woman who lives a self-destructive and messy. Also in the film Rope (Alfred Hitchcock, 1948), two young men united by a love affair suggested murder a fellow student.
Unable to make direct reference to homosexuality, it was insinuated by winks to the audience could easily identify with her. Thus, in The Maltese Falcon (1941), the character played by Peter Lorre, who in the original novel is gay, is presented to highlight Bogart gardenia scented by female while playing music. Also
western films which had insinuated homosexuality as some scenes between Montgomery Clift and John Ireland in the film directed by Howard Hawks: Red River (1948), [9] or veiled lesbianism of the stars of Calamity Jane ( 1953) and Johnny Guitar (1954).
The way that Hollywood and American society of the 50 perceived the gays was portrayed in the film Tea and Sympathy (1956) of (Vincente Minnelli, in which a socially well-placed family decides to heal the effeminacy of his son to quell rumors about his homosexuality.
During the last 50 began to insinuate sex between same sex in some movies, and that's when the censorship began to function more noticeable. Films such as Ben-Hur (William Wyler, 1959) could be overcome through treatment of the relationship almost subliminal gay film suggests. According to author and screenwriter of the film, Gore Vidal in the documentary The Celluloid hidden, the plot revolved around the homosexual relationship that kept the two main characters as a teenager in the film is treated as a friend. Not so with Spartacus (Stanley Kubrick, 1960), tape in which the censors removed a scene in which one could see the slave Tony Curtis bathe your love Laurence Olivier as the two characters speak obliquely of his homosexuality. [10] Also Cat on a Hot Tin Roof (Richard Brooks, 1958) and Suddenly Last Summer (Joseph L. Mankiewicz, 1959), two films based on plays of Tennessee Williams were banned for homosexuality of its characters will not be shown clearly.
At this time the Hays Code had gradually ceased to apply to all situations envisaged, but more needed to bring down the last taboo, homosexuality. The filmmakers were tired of the limitations began to make films that clearly were about lesbians and gays, but always under the prototype that was to accompany these characters: they must lead a tortured life, culminating with a tragic end, either through a violent death or suicide. Some examples are the character of Sal Mineo in Rebel Without a Cause (Nicholas Ray, 1956), The black cat (Edward Dmytryk, 1962) or Tempest on Washington (Otto Preminger, 1962), film in which a senator is blackmailed because of his homosexuality. Also in Slander (William Wyler, 1962) the character played by Shirley MacLaine is tormented by falling in love with Audrey Hepburn and finally ended up committing suicide.
the late 60's, the word homosexual and openly is commonly used in films, although they have a bearing on the gruesome vision of life of lesbians and gays. The Detective (Gordon Douglas 1968) tells the story of a detective who does not accept their sexual and The Fox (Mark Rydell, 1968) one man stands in a lesbian couple and manages to make one of heterosexual women, while the other dies crushed by a tree.
Contemporary Cinema: From the 70 [edit] In the early 70's early films were shot there was a little evolution in the relationship between the film industry and homosexuality just as the LGBT movement was in its infancy. The Boys in the Band (1970) by William Friedkin was the first gay film-tragic end not produced in Hollywood, though his stereotypical view of gays was not well received among LGBT activists. The film shows a group of gays in which raw friendship and camaraderie, despite moments of footage that some characters reflect on their sexual orientation with some self-pity. The film Cabaret (1972) directed by (Bob Fosse) went a step further by showing Michael York as a gay sense and no feelings of guilt about their sexuality.
Despite these exceptions and for being free to show homosexuality, movies as limit point: zero (1971) and a strange pair of cops (1974) retake the old stereotype that gays are finally criminals executed by the heterosexual hero.
already crossed the threshold of 80, films such as Windows (1980), The Fan (1981) [11] and The Hunt, (1980) emphasized the vision of lesbians and gays as insane and ruthless murderers. The latter film, whose story was about a serial murderer who locate their victims in leather gay venues, until then did something unprecedented: homosexuals, tired of seeing how Hollywood was portrayed in a negative way, and aware of the influence of this in the collective imagination of society, mass protests organized by several North American cities in order to stop its distribution. Finally the film The Hunt was removed from the displays and demonstrations were used for the film industry to become aware of the glut of LGBT people about the bad image that the film gave them. To "fix" in 1982, he premiered the comedy police More than colleagues (1982), starring Ryan O'Neal and John Hurt.
Contemporary Film: From the 70 [edit] In the early 70's early films were shot there was a little evolution in the relationship between the film industry and homosexuality, just as the LGBT movement was in its infancy. The Boys in the Band (1970) by William Friedkin was the first gay film-tragic end not produced in Hollywood, though his stereotypical view of gays was not well received among LGBT activists. The film shows a group of gays in which raw friendship and camaraderie, despite moments of footage that some characters reflect on their sexual orientation with some self-pity. The film Cabaret (1972) directed by (Bob Fosse) went a step further by showing Michael York as a gay sense and no feelings of guilt about their sexuality.
Despite these exceptions and for being free to show homosexuality films such as Point limit: zero (1971) and The Odd Couple of Cops (1974) retake the old stereotype that gays are finally criminals executed by the heterosexual hero.
already crossed the threshold of 80, films such as Windows (1980), The Fan (1981) [11] and The Hunt, (1980) emphasized the vision of lesbians and gays as insane and ruthless murderers. The latter film, whose story was about a serial murderer who locate their victims in leather gay venues, until then did something unprecedented: homosexuals, tired of seeing how Hollywood was portrayed in a negative way, and aware of the influence it in the collective imagination of society, mass protests organized by several North American cities in order to stop its distribution. Finally the film The Hunt was removed from the displays and demonstrations were used for the film industry to become aware of the glut of LGBT people about the bad image that the film gave them. To "fix" in 1982, he premiered the comedy police More than colleagues (1982), starring Ryan O'Neal and John Hurt.
There was a time of incredible censorship, no positive images of gays and lesbians, if not actual images of gays and lesbians. Gays and lesbians have experienced in dealing ostracism, loving and surviving. There are many heroic stories real. Jan Oxemberg film director.
From this point, the mainstream cinema of Hollywood began to produce films dealing with respect to homosexuals. The pioneers were two, both shot in 1982, his other love (Arthur Hiller), which depicted a relationship between two men and Personal Best (Robert Towne), which revolved around the love between women. In the first, a married doctor experiences a crisis in her sexuality and begins a love affair with a gay writer played by Harry Hamlin. The second one tells of the love affair of two elite athletes played by Mariel Hemingway and Patrice Donnelly which is truncated to start one a heterosexual relationship.
In this time and until the early 90's, Hollywood produced several films in which gay characters and relationships, especially lesbians, are represented in different ways. If Silkwood (Mike Nichols, 1983), the character played by Cher live their homosexuality openly, [12] in such films as The Color Purple (Steven Spielberg, 1985), Fried Green Tomatoes (John Avnet, 1992) and The Silence of the Lambs (Jonathan Demme, 1992) the lesbian characters are not displayed as such in comparison to the novels in which they are based. [13] [14] Another representation of lesbianism in this period is on Instinct basic (Paul Verhoeven, 1992), which were repeated expressions of U.S. LGBT associations to present the homosexual character played by Sharon Stone as a killer. Also the profound friendship between the protagonists in Thelma and Louise (Ridley Scott, 1991) has often been interpreted as a lesbian relationship, [15]
The 1993 film Philadelphia was the second big budget and famous actors in addressing the issue AIDS (after And the Band Played On) in the U.S., and also marked a change in the early 1990's in Hollywood films related to the more realistic representation of homosexuals. However, the fact the characters of Tom Hanks and Antonio Banderas no typical signs of affection exchanged in a relationship, such as kissing, and the absence of gay women attracted some unfavorable reviews of LGBT film critics. In an interview on the 1996 documentary The Celluloid Closet, Hanks noted that some scenes that showed more affection between him and Banderas were rejected, including a scene of the two in bed together (the DVD edition of this film does include this scene .) The film won the Oscar for Best Supporting Actor (Tom Hanks) and best song (Bruce Springsteen Streets of Philadelphia). The film was partially inspired by the story of Geoffrey Bowers, a lawyer who in 1987 sued the law firm Baker & McKenzie for unfair dismissal in one of the first cases of AIDS discrimination.
Since mid-1990 the U.S. industry has a line of comedies that deal with homosexuality as a central argument or secondary characters and positive kind. The Wedding Banquet (1993), directed by Ang Lee, used the structure of sitcom style of George Cukor in which one member of a happy gay couple marries a girl, with the complicity of its true partner to save face before their traditional parents. A similar structure used In & Out (1997), directed by Frank Oz and starring by Tom Kline, Tom Selleck and Matt Dillon. On this occasion, a literature professor is exposed the hitherto hidden homosexuality following the confession of a former student, actor noted, during the presentation of an award on television. The My Best Friend's Wedding (1997), directed by PJ Hogan and led by Julia Roberts and Cameron Diaz, is a madcap comedy in which the gay character of Rupert Everett supports her friend in a sham to help a guy win he loves another. Another example is good as it embodies (1997), directed by James L. Brooks in the reclusive writer played by Jack Nicholson, in love with a waitress Helen Hunt, takes an accident suffered by his neighbor, a gay artist Greg Kinnear as an excuse to court her. To Wong Foo Thanks for Everything Julie Newmar (1995), benefited from his cast Patrick Swayze, Wesley Snipes and John Legizamo to the adventures of a group of drag queens on a journey through towns in the interior United States. Youth key figure in Chasing Amy (1997), directed by Kevin Smith and starring Ben Affleck and Jason Lee cartoonists two friends, one of whom falls for a lesbian artist Joey Lauren Adams, but despite the initial shock decide continue their nascent amistad.Oscars 2006: Brokeback Mountain, Transamerica, Capote
SCOPE OF COMIC
Yuri (百合, Yuri''?),''is a Japanese slang term to refer to the genre involving love between women in manga, anime and other Japanese media of expression. [1] Yuri can focus both on the emotional aspects as in sexual aspects of the relationship, the first is sometimes called shojo-ai by western fandom.
The topics covered yuri, have their roots in the Japanese lesbian literature of the early twentieth century, with pieces such as Yaneura not Nishojo by Nobuko Yoshiya. However, the first yuri sleeves began to appear only at the beginning of 70, with artists such as Ryoko Yamagishi and Riyoko Ikeda. The 90 brought new trends in manga and anime, so dōjinshi productions as well, along with more acceptance of this type of content. In 2003 the first manga magazine exclusively dedicated to yuri was launched under the name of Yuri Shimai, followed by Comic Yuri Hime, launched after Shimai was discontinued in 2004.
While Yuri was originally aimed at women (shojo, josei), today there are also works of the genre for a male audience (shonen, seinen). Yuri sleeves of men's magazines include titles such as Kannazuki no Miko and Strawberry Panic! as well as those that are published in the men's magazine Comic Yuri Yuri Hime S, launched in 2007.
The yuri is a genre of manga and anime shows both explicit lesbian relationships between women are not explicit.
If no explicit sex, and the theme is more focused on the romantic relationship, is known as (girls love) and is a subgenre of "shojo" (comics aimed at teenage girls), just like the yaoi (relations between 2 or more men) is more or less common to find yuri. There are several magazines devoted to this genre as shimai yuri.
Maria sama ga miteru:
Maria-sama ga miteru is a shojo series of novels with connotations of drama, comedy and romance lesbian, originally created by Oyuki Konno. At first it was made as a short story in a magazine, but because of his success was converted into a series of novels from one year from when editing. This series is not over yet and has to date 29 volumes (the thirtieth volume will be published on 28 June this year.)
The plot of this series combines elements associated with the real world and does not focus on fantasy situations. This story shows some special topics, coupled with the persistent appearance of female characters, austerity environment, a slow and centralized frame the relations of the characters, the latter has been associated with lesbianism of some characters, but not related to a physical attraction but idealized Platonic. Http://perzonajo.blogspot.com/2007/07/especial-yuri.html
Yuri yuri
The term can be used to describe any anime or manga (or fanfiction, one -shot, movie, OVA, etc.) showing an intense emotional connection, love or sex between women. With or without explicit sex scenes. Yuri is a genre not determined by sex or age of the audience it is intended, but the "perception" of it. If desired, you can differentiate between Shonen Yuri, written by men for a male audience, Yuri Shōjo written by women for female audiences, and Yuri True, written by lesbians for lesbianas.2
Shōjo Shōjo ai ai (love between girls) is a relatively new term, similar to Shonen ai (male love) created by an American fan and adopted by the Western fandom, which has little to no use in Japan. Shojo ai was accepted as a term to refer to a relationship between girls, which is stronger than the sexual romantic element, more specifically, when no scenes Terminology
explicito.2 sex
In Japan, the two participants in a relationship are called yuri Tachi (立ち, タチ) and Neko (ネコ). Neko, literally means cat in Japanese and Tachi, comes from the jargon of traditional forms of Japanese theater, 3 where the heroes represent Tachi-yaku strongly physical, performing acts of courage and arrojo.4
Tachi]
Tachi (立ち, タチ): the term to refer to women active personality / attacker in an established relationship, or the woman who takes the initiative and seeks to seduce the other to start a relationship. It's the way it is called, the woman who usually takes a dominant position during sexual intercourse.
In real life, the women called Tachi, have masculine traits and an androgynous profile is characterized by wear their hair short and wearing tomboy, which in English is called a "tomboy" or "butch." This applies also in the yuri, where the Tachi, but may have physical features such as men, short hair or eyes relatively small. A clear example of this is Amane Ohtori from Strawberry Panic! who is called "Prince" by the students of the school Spica, for his androgynous appearance and refined.
Neko Neko (ネコ): the term to refer Personality women passive / timid in an established relationship, or a woman who is courted by another. It's the way it calls the woman who usually takes a submissive position during sex.
The Neko in real life no different from any heterosexual women in regard to feminine care and appearance. The yuri is characterized by traits such as female and softened, particularly large eyes, small hands and slender arms. Used skirts, makeup and personality are weaker than the Tachi. The
yaoi yaoi ("や おい] in Japanese), short for yama-nashi ochi-nashi imi-nashi (meaning "No climax, no resolution, no meaning") is a genre of popular manga and anime in Japan and other countries. The main feature of a manga or yaoi series is the love between male characters. The genus is usually included within the shōjo or manga targeted at girls, being focused primarily female audience.
Most of the works in the world are yaoi doujinshi, although the number of professional publications in Japan is very high
Seme / Uke [edit] yaoi and Shonen-ai are usually two main characters, each member of the couple in this case. Each has a role (variable but mostly stable) in the end of his love.
Seme: Semeru from the word "せめる] (" attack "in Japanese). Plays the "active" sex. Is usually higher and / or more tall and broad that the uke.
Uke: Ukeru comes from the word "うける] (" receive "in Japanese). Plays the "passive" in sex. It is usually minor and / or lower and smaller than the seme.
A third group of characters (Suke, obtained by combining two terms) which can be either semester or ukes, always depending on your partner. The yaoi and Shonen-ai, being almost always love stories, trying to recreate real relationships that can be very complicated, so one can not generalize when speaking of the semes and ukes like you can not generalize when talking about the different male and female players only by their sex.
difference between yaoi and Shonen-ai [edit] Shōnen-ai and yaoi are not the same. The difference is that shonen-ai, but also portrays the love between male characters, it never shows sex between them, which does make the yaoi. Shonen-ai shows only expressions of love or affection and verbal hugs or caresses. The most explicit show often are Shonen-ai kiss between two characters. Hence shonen-ai clearly be considered a genre within the manga shōjo.
CLAMP is a female quartet of Japanese manga artists who have earned the title of the queens of Shōjo (shojo manga being aimed at young girls.) They have a style quite sadistic manga might also be more people adult, although other stories like Card Captor Sakura are also dedicated to a young audience, ie a variety of genres. They are: Mokona (も こ な, Mokona?) Before Mokona Apapa, Ageha Ohkawa (大川 绯 芭, Ageha Ohkawa?) Before Nanase Ohkawa, Tsubaki Nekoi (猫 井 椿, Tsubaki Nekoi?) Before Mick Nekoi and Satsuki Igarashi (いがらし 寒月, Satsuki Igarashi?) (kept his name but changed its combination of Hiragana and Kanji, before 五十嵐 さつき).
Began as a group of artists at the institute, drawing dôjinshis from 1987 to 1991. His dôjinshis were published in a collection called CLAMP BOOK. Also published a Colection of "doujinshi" CLAMP NEWS call that icluían little stories of his most recent images of the moment and artbook. Currently living in Tokyo. Originally they had twelve members, of which there are only four.
They are also characterized by a certain taste for the crossovers, so reading some of the series may be characters, objects, places, symbols and / or other known reference standard.
For example, in X appear Subaru Sumeragi, Hokuto Sakurazuka Seishirou Sumegari and Tokyo Babylon and also appear Nokoru Imonoyama, and Suoh Ijuin Akira Nakamura Gakuen Tanteidan CLAMP.
addition, his latest works, xxxHOLiC and Tsubasa Reservoir Chronicle, are characterized by these crossovers, since the two are intertwined with respect to the argument and it is almost purely Tsubasa crossover where characters appear in all his previous works.
Similarly, have helped the performance of other series. Currently, did the sketches for the anime Code Geass: Lelouch of the Rebellion, taking the lead, as almost like a copy of your anime Kamui "X", and has participated with Madhouse to perform some mini-episodes of a series called "Sweet Valerian", from which they made the design conceptual.Actualmente are collaborating on the design of characters for the series of mystery Mory no Hako for release in October 2008.
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